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Elem Klimov
Country Soviet Union
Story After finding an old rifle, a young boy joins the Soviet resistance movement against ruthless German forces and experiences the horrors of World War II
47573 Vote
genres War
2H, 22 Min
I understood that this would be a very tough film, and that it would be unlikely that anyone would be able to watch it. I mentioned this to my co-screenwriter, the Belarusian writer Ales Adamovič. He answered “Let them not watch it, then. We need to leave it for after were gone. As a testament of war, as an appeal for peace. ”. Its an important theme of the film: what can a person become when they cross the threshold of morals, of ethics? It is no longer a war, but absolute murder and brutality. Anyway, after meeting and talking to Adamovič, I suddenly understood: there it was—my topic, my holy cause— to talk of the immense tragedy afflicting an entire people, of a war resembling hell itself. And to look at a man in an extreme, borderline situation, and ask who he is, and what he may endure. And to see the strength of this man, indeed, of this people, who could endure it. From an interview to Irina Rubanova, September 1985.
Idi i smotri english subtitles.
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Idi i smotri imdb. Anybody notice the Pyle, joker, cowboy position in the formation at very beginning. Look close as gunny circles around to snowball. You can see thier shadows switching. Idi i smotri filmi. I ONLY care about the foreign movie section of The Oscar's. I think the best movies are not made by hollywood as they usually are whitout restriction. I am going to use my favorite movie of all time (which i also think is the best made movie of all time) Son of Saul as an example. It is the most bone chilling and horrifying movie i have ever seen. It seems like some made up scary movie like Saw, but it actually happened. Most WW2 movies dont show how awfull it was for the Jews, and when it is tried it comes of as some oscar schlock like Schindlers List was for me. But László Nemes wasnt restricted to Hollywood boundries he was free to make the movie he wanted. And what was the result is a movie made masterfull in every way. All from the technical aspect from what happens in the background to the cinematography and especially the Sound Editing. Aswell as good emotional acting from Géza Röhrig who isnt actually and actor, or isnt anymore. There are so many good foreign movies out there you got to watch, and a nice way to start is watching the movies on the Foreign Move Oscar nomination list. I am going to list a lot of foreign movies here for you guys to watch, so please do so! Tsotsi Son of saul L'illusionniste Oslo, 31. august A movie from my country, Norway. I am in the strong belief it would have won oscar if the norwegian movie federation thing decided it would be our nomination. Les triplettes de Belleville C'est arrivé près de chez vous Whale Rider Once were Warriors Candy Diarios de motocicleta Sin Nombre Gwoemul (The Host) El secreto de sus ojos Zendegi va digar hich Durak. I want to share the cute story of how i got to know of this movie, i guess most of you know it from YMS Top movies. I have been writing with this russian girl for over 8 years over the internet about anything, i have known her since i was 12 and she was 14. Its amazing how relationships can be created just like that with a person you will never meet or talk to in real life, thats what i like the most about the internet. We talk about movies a lot and she told me about this movie and recommended it to me! I love this movie. Ta'm e guilass Soshite chichi ni naru Sophie Scholl - Die letzten Tage Do lok tin si Nema-ye Nazdik Sinsegye Chung Hing sam lam 2046 Festen Hwanghae Ajeossi Hævnen Good Bye Lenin! La Haine Amores perros Idi i smotri Salinui chueok Victoria Relatos salvajes I am very tired and its 6 am here where i live, i need to go to bed. I tried to pick movies that are not popular or well known, but there are some movies, like Amores Perros that probably 70% of you know about. If there is a mistake with the iMDB Titles please tell so i can edit. Please post good foreign movies either from your country or other countries that needs to be watched. I am sorry for spelling mistakes or anything along those lines. Complete fucking loser, signing out.
Videos Learn more More Like This Animation, Adventure Fantasy 1 2 3 4 5 6 7 8 9 10 6. 5 / 10 X On a post-apocalyptic Earth, a wizard and his faire folk comrades fight an evil wizard who's using technology in his bid for conquest. Director: Ralph Bakshi Stars: Bob Holt, Jesse Welles, Richard Romanus Drama Sci-Fi 8. 2 / 10 A guide leads two men through an area known as the Zone to find a room that grants wishes. Andrei Tarkovsky Alisa Freyndlikh, Aleksandr Kaydanovskiy, Anatoliy Solonitsyn Comedy Crime 7. 5 / 10 After being released from prison, Billy is set to visit his parents with his wife, whom he does not actually have. This provokes Billy to act out, as he kidnaps a girl and forces her to act as his wife for the visit. Vincent Gallo Vincent Gallo, Christina Ricci, Ben Gazzara A man seeks answers about life, death, and the existence of God as he plays chess against the Grim Reaper during the Black Plague. Ingmar Bergman Max von Sydow, Gunnar Björnstrand, Bengt Ekerot Biography History The life, times and afflictions of the fifteenth-century Russian iconographer St. Andrei Rublev. Anatoliy Solonitsyn, Ivan Lapikov, Nikolay Grinko Action In Medieval Japan, an elderly warlord retires, handing over his empire to his three sons. However, he vastly underestimates how the new-found power will corrupt them and cause them to turn on each him. Akira Kurosawa Tatsuya Nakadai, Akira Terao, Jinpachi Nezu Thriller 8. 1 / 10 In a decrepit South American village, four men are hired to transport an urgent nitroglycerine shipment without the equipment that would make it safe. Henri-Georges Clouzot Yves Montand, Charles Vanel, Peter van Eyck A nurse is put in charge of a mute actress and finds that their personae are melding together. Bibi Andersson, Liv Ullmann, Margaretha Krook An Irish rogue wins the heart of a rich widow and assumes her dead husband's aristocratic position in 18th-century England. Stanley Kubrick Ryan O'Neal, Marisa Berenson, Patrick Magee 8. 7 / 10 When a ronin requesting seppuku at a feudal lord's palace is told of the brutal suicide of another ronin who previously visited, he reveals how their pasts are intertwined - and in doing so challenges the clan's integrity. Masaki Kobayashi Akira Ishihama, Shima Iwashita 8. 3 / 10 A bureaucrat tries to find a meaning in his life after he discovers he has terminal cancer. Takashi Shimura, Nobuo Kaneko, Shin'ichi Himori Mystery The rape of a bride and the murder of her samurai husband are recalled from the perspectives of a bandit, the bride, the samurai's ghost and a woodcutter. Toshirô Mifune, Machiko Kyô, Masayuki Mori Edit Storyline The feature film directed by Elem Klimov, shot in the genre of military drama. The action takes place on the territory of Belarus in 1943. In the center of the story is a Belarusian boy, who witnesses the horrors of the Nazi punitive action, turning from a cheerful teenager into a gray-haired old man for two days. Written by Peter-Patrick76 ( Plot Summary Add Synopsis Details Release Date: 17 October 1985 (Hungary) See more » Also Known As: Come and See Box Office Cumulative Worldwide Gross: 96, 908 See more on IMDbPro » Company Credits Technical Specs Runtime: 142 min 105 min (heavily cut) See full technical specs » Did You Know? Trivia The film's literal English translation from the Russian wording "Idi i smotri" is "Go and look" but the film is more commonly known in English as "Come and See" instead. See more » Goofs Many of the vehicles seen in this film are not the German standard Opel-Blitz truck nor the Kubelwagen car. Instead they are clearly post-World War II Soviet vehicles with slapped-on German Army markings. See more » Connections Referenced in Sardonicast: 1917, Come and See (2020) See more » Soundtracks Blue Danube Written by Johann Strauss Jr. See more ».
This sequence is from the Russian movie “Come and See”
I watched this movie for the time last night, probably one of the most affective movies of all time. Idi i smotri - 1985 rus drama war masterpiece. I guess you dont know Stalin never killed millions of his people in siberia like the CIA tells xD the americans lie the fucking world and how will stalin find transport for 30 million people how will he feed them to their death sentence how wiil he have resources to do it huh. america is full of lies not the USSR. Idi i smotri review. Idi i smotri film. Georg Rockall-Schmidt this was a beautiful year in cinema, thanks to you Georg. happy christmas to you and yours. Idi i smotri youtube. Idi i smotri trailer.
That kid looked so old at the end, like he looked 40 years older. Idi i smotri online sa prevodom. Idi i smotri criterion. YouTube. Im posting something I posted elsewhere in r/creepy where someone was asking for horror movies that would mess with them. I was rather disappointed as I already own every film and then some in that thread. As a long time reader here I check Dreadit first for my new films, or old that I may of missed. I want no sensibility spared, I really want to know the most fucked up disturbing films you have ever seen regardless of weather you liked it or not on a personal level. It has been awhile since ive seen something that made me go "holy fucking shit. Here is a partial list I just copy pasted from my earlier response in creepy as an example of films ive already torn through. Note this is not even close to comprehensive, my XBMC library is over 400 horror movies alone. Of course nobody watches movies with me anymore lol, my wife says I have the collection of a serial killer and my friends are to "artsy" t bother with my films as they almost ALL work in the film industry. Thats living in Hollywood for ya. As an aside if anybody in in the LA area and would like to film swap or do a Los Angeles horror get together I would LOVE it, just be sure you're ready for a mix of good/bad/fucked up cinema. Marebito is worth a watch. VERY Lovescraft inspired. 2001 Maniacs (2005) for a laugh. Brain Damage (1988) is one not to miss Society is great for WTF happened? Chained (2012) is bothersome to some people, I am told. Come and See (Idi i smotri) 1985) is both a true story and very disturbing, for some. is also. interesting suspense wise. Dead Birds (2004) for being a VERY rare setting (Civil War. for a horror film. Enter the Void (2009) is not horror but. disturbing and though provoking if you want to be brain fucked. Gurotesuku (2009) Is Japanese and along the lines of Martyrs porn stuff. Irréversible (2002) Rape, but tame otherwise. NAKED BLOOD is a JP film also, and about people cutting themselves open and cooking it, fucking cactus and that fun stuff. Megan Is Missing is kinda shakeycam meets Serbian Film meets was "ok" Helldriver. 2011 for the LULZ Rogue 2007 is a VERY well done creature feature about a massive gator. Nice and "meaty" and enjoyable. ThanksKilling. 3(2012) BECAUSE HAHAHAHAHAHAHAHA no seriously, im not sure what I watched either but I know I liked it. Because. fucking BUGS. venant 2012 for a twist on Zombies I did NOT see coming by the end of the movie, and some really creepy thoughts about the nature of eternal life as a head. This of course ignores the entire Wrong Turn series, Hatchet1-2, Martyrs, classic zombie flicks like Fulci and Romero, Vincent Price stuff, Troma masterpieces, and so on. At over 400 movies I cant name them all but you get the idea. And though I dont conside them all to be "good" films they each have their own charm. And no, I am not a serial killer but a gore hound, married with two children yadda yadda. Probably not a necessary disclaimer in this sub but jump to conclusions. at me Dreadit, what you got? EDIT - Suggestions that were new thus far, this should all help others build a WTF movie list, check comments below as I try and provide an IMDB link for other seekers when something new pops up: Schramm Men Behind the Sun 4 Aftermath Life and Death of a Porno Gang Thanatomorphose Cutting Moments Where the Dead Go to Die Singapore Sling Rubber's Lover The Bunny Games Les 7 jours du talion (Seven Days) Ex-Drummer ReGOREgitated Sacrifice Slow Torture Puke Chamber Ive been able to source them all so far except one that isn't out yet! I could do a spatter view/review thing here if anybody is interested in them also.
Das Boot should be on this list. Serbian film Enter the void. Idi i smotri partisan attack. The hut incineration scene reminds me of that in 'Cannibal Holocaust. This Soviet film's scene is more powerful than the CH's. Synopsis Byelorussia, 1943. Story of Flera, a youth who joins the partisans, before the Nazis execute all the inhabitants of his village. Flera witnesses many atrocities committed by the Nazis and is physically aged by his experiences. Idi i smotri 1985. Idi i smotri movies rej elem klimov. Scares me to think how close we are to this right now.
I live in Denmark My favorite genre is sci-fi I don't really remember the first DVD i bought Guilty pleasure movie (there can only be one) RoboCop The least favorite movie I own is Sahara My favorite director is Andrei Tarkovsky I'm most proud of Idi i Smotri I'm looking to replace my entire collection with Criterion or Eureka. in time Software I use to keep track: Well... none: Should I? I don't really know if anyone's really looking at the titles. But to the off-chance that there is, I noted the actual titles above those with a translated title (or otherwise unreadable. Edit: Pictures to scale Collection: Setup: Stand: Cabinet 1: Cabinet 2: Cabinet 3. Idi i smotri torrent. When your choice is death or death, then it is death and I am taking you with me. This thread is archived New comments cannot be posted and votes cannot be cast level 1 I have this film but I've never watched it. From what I've read it doesn't seem like the kind of movie you can just pop on when you're a bit bored. level 2 I've had the dvd for a couple of years, but only watched it only word that comes close to the reaction I had after the first viewing is 'traumatised. Don't watch if you're depressed is my advice lol. level 1 Just watched this like 8 hours shit. Really fucked up. level 2 I'd ask what your fav part is lol, but I see the difficulty in answering. level 1 "Waltz with Bashir" is a fucked-up, VERY well-done partly-animated war film. Came here expecting that. level 1 can be viewed at google video The original subreddit, now archived. Reddit Inc 2020. All rights reserved.
“Whos the leader of the club thats made for you and me?”. What's crazy is that when they get off the plane, and right after the body bags, that one guy looks like a Meth Head from today, I never would have thought that until today's meth heads came about. Why is this being presented in this weird, multi-box format? I've been trying to find someplace I can rent to watch this film, and it's nowhere to be found, at least in the U.S. I'd prefer original language with English subtitles. Idi i smotri online. Idi i smotri streaming. Nice svt 40. Idi i smotri izle. Idi i smotri (come and see) 1985.
Idi i smotri csfd. Idi i smotri full movie. You only have to look at a photograph of Oskar Dirlewanger to ask yourself, is this REALLY what The Master Race looks like. The film Come and See is one of the most haunting films I have ever seen. It is a film that depicts the affects of war during WWII Byelorussia.
"Come and See" is centered on a young boy named Florya who is anxious to get involved in the war and do his part. Slowly throughout the film, you see Florya go through hardening situations that force him to grow up quickly. I was in total shock and awe of how Florya's face aged so rapidly at the end of the film. His face was filled with shock, terror, anger and absolute sadness of not only what he had gone through but what he has seen. The movie is a gripping experience in that takes you by the shoulders and shakes you to see what war really is, pure chaos. I will be forever haunted by the image of the young girl bleeding from being repeatedly raped by German soldiers.
The film will leave you feeling shocked, overwhelmed with sadness and pure anger for just a glimpse of how war truly is.
I actually had to pause abt 1:30 in and stop watching (although ill probably return layer. Come and See is such a gut wrenchingly unforgiving depiction of World War II that it is a movie i wish i could unsee. It is brutal and drags you along through all of its trauma and ugliness that watching it can only leave you emotionally and mentally drained. it is a wonderful example of how cinema is an artform beyond pure entertainment, that it can force you to think and to feel and to observe even when you dont want to. But damn, i think ill finish my Cheerios before coming back and watching this video.
Come and see. Barnes is my favorite. Idi i smotri. Idi i smotri ruski film. Idi i smotri sport. Idi i smotri (come and see. Come and See ( / Idi i smotri) is a harrowing Soviet war movie directed by Elem Klimov in 1985. The film is based on the 1978 novel, I Am from the Fiery Village ( / Ya iz ognennoj Derevni) by Ales Adamovich. Together Klimov and Adamovich wrote the films screenplay. The film has come to be considered one of the greatest war films of all time. The best way to describe it is that its an amazing film that will ruin your day. Its just one of the most devastating movies there is. So, be warned – Come and See is not of the same ilk as Klimovs other most famous movie, the uproarious comedy, Welcome, or No Trespassing. The way in which Come and See was made gives some indication to how horrific it is to view. The shoots were dangerous – real flamethrowers and real bullets were used just feet away from actors. These difficult scenes changed the actors considerably over the course of filming. Aleksei Kravchenko, who played the lead, Flyora, as a 13-year-old, developed a full head of grey hair and wrinkles during the nine months of filming. Come and See – hell on earth Come and See is so nightmarish that it depicts an earthly hell. In fact, the films name is an allusion to the refrain from the Book of Revelation and its description of the apocalypse. This view of the Second World War as an apocalypse fundamentally distinguishes the movie from previous works of Soviet war cinema. They would traditionally present the events of the war in either a heroic or lyrical manner. Klimov, however, presents a view of the war as a world of madness and demonic possession. Not only people, but also animals are drawn into this horror. We see a stork soaked in the rain, standing motionless in the forest. It has nowhere to go and no one to fly to with glad tidings. Later, we witness the dying spasms of a cow ripped apart by a machine gun. The film attacks every sense possible, including sound. The loud crashing of bombing and gunshot deafens your ears. Meanwhile, emaciated human voices appear muffled and distorted by some sort of eternal ringing noise. Ordinary sounds are not safe, as they transform into ominous signs. Flies buzzing becomes a harbinger of a terrible pile of corpses slaughtered in Flyoras village. Amid the sensory overload of the movie, sometimes a line will jump out that makes your skin crawl. Amid a thunderous cacophony of barking dogs, roaring engines, curdling wails, billowing flamethrowers, and chattering machine guns, a German soldier directly addresses the viewer: “You should not be. Not all nations have a right to the future. ” « . ». Resolution to the madness But Come and See is not just a chilling nightmare. It is much more profound than just that. The films resolution displays its message of the indestructibility of good and humanity. Having survived the horror of a barn full of villagers being burnt alive, Flyora takes a rifle and shoots a portrait of Hitler. Each shot by this now gray-haired, wrinkled teenager seems to turn back time in a newsreel of Hitlers life. And the younger he appears, the more violently Flyora continues to fire. That is, until a photograph of Hitler as a child appears – a defenseless baby sitting in the arms of his mother. Seeing this, Flyora freezes in horror and then lowers his gun. His inability to shoot a child, no matter who he is, restores the world in tragic harmony.
I have seen more than 1000 films in my life, many of them very obscure, arthouse and/or difficult and depressing. This one though was the most disturbing film I've ever watched and probably the best war film I've ever seen. I also have a fascination about World War 2 films. I have seen almost all of them and this one I saved for dessert. It was raw and shocking beyond belief, but also super realistic. The true horror of World War 2 has never been so well portrayed, maybe only Das Boot comes close to it, but in terms of realistic battle portray. Idi i smotri displayed the horror, that civilians lived through. The massacre scene was the most difficult to stomach scene I've seen put on celluloid 10/10.
Calm down people. This thread is archived New comments cannot be posted and votes cannot be cast level 2 Looks like they used real explosives too. I hate the Hollywood fire ball bombs. There's actually surprisingly little fire in an actual high explosive explosion. level 1 In "The Crow" they really shot Brandon Lee for realism. level 2 You were my guilty upvote of the day level 2 Not sure if this is supposed to be a funny joke or not. But I lol'd level 1 Idi i Smotri is probably the best war film I've ever seen. I can't recommend it highly enough, but it's incredibly dark so it takes a strong stomach to get through. The torrent sites had a copy floating around if you can't find it elsewhere. level 1 The 2006 UK DVD sleeve states that the guns in the film were often loaded with live ammunition as opposed to blanks, for realism. Aleksey Kravchenko mentions in interviews that bullets sometimes passed just 4 inches (10 centimeters) above his head (such as in the cow scene. level 1 they used to fire live rounds over basic trainees in US Army basic training. It was in the basic combat movement course (low crawl, high crawl under barbed wire. The guns were M-60's on fixed pedestals at a height or about 15 feet so no one caught get hit even if they stood up. The purpose was to keep the trainees heads down and let them experience the sound of live rounds in their vicinity without the danger of being hit. level 1 You see actor Ivan, he do whole movie in one take for fear of being shot. level 1 The original gangster films like Scarface, Little Caesar and The Public Enemy did this too because it was the only way to get convincing bullet holes. They would actually shoot a standing machine gun at a concrete wall with actors just around the corner. level 1 If a blank makes the same noise is it not just as realistic. I guess not the same fear would be inspired by the actors but still level 2 They don't really... It's hard to explain but it's just missing something. Now days they just audioshop the noises but even then it's not right. Plus, there is no greater thrill then hearing a round crack over your head! level 1 Dammit Russia. Seriously though, this film is a tough one to watch. Incredible. level 1 how did they measure how far away the bullet was? level 2 With the actors who were 4 inches taller.
Idi i smotri ruski film sa prevodom na srpski. Awesome film for sure. OF I CAN'T WATCH THIS MOVIE WELL FUCK U. Idi i smotri. Piękna muzyka, piękny (poniekąd) film. Idi i smotri (1985. Come and See Russian theatrical release poster Directed by Elem Klimov Screenplay by Elem Klimov Ales Adamovich Story by Ales Adamovich Based on I Am from the Fiery Village by Ales Adamovich Janka Bryl Vladimir Kolesnik Starring Aleksei Kravchenko Olga Mironova Music by O. Yanchenko Cinematography A. Rodionov Edited by V. Belova Production company Mosfilm Belarusfilm Distributed by Sovexportfilm Release date July 1985 ( Moscow) Running time 142 minutes [1] Country Soviet Union [2] Language Belarusian Russian German Come and See ( Russian: , Idi i smotri; Belarusian: І і і і, Idzi i hlyadzi) is a 1985 Belarusian film directed by Elem Klimov filmed in the Soviet Union, with a screenplay written by Klimov and Ales Adamovich based on the 1978 book I Am from the Fiery Village [3] original title: , 4] Ya iz ognennoj Derevni, 1977) by Adamovich et al. 5] The film stars Aleksei Kravchenko and Olga Mironova. [6] Come and See is generally viewed as one of the most important anti-war movies ever made, and one of the great World War II movies, with the most historically accurate depictions of the crimes on the Eastern Front. The film focuses upon the Nazi German occupation of Belarus, and primarily upon the events witnessed by a young Belarusian partisan teenager named Flyora, who—against his parents' wishes—joins the Belarusian resistance movement, and thereafter depicts the Nazi atrocities and human suffering inflicted upon the Eastern European villages' populace. The film mixes hyper-realism with an underlying surrealism, and philosophical existentialism with poetical, psychological, political and apocalyptic themes. Come and See had to fight eight years of censorship from the Soviet authorities before the film was finally allowed to be produced in its entirety to commemorate the 40th anniversary of the Soviet victory in World War II, and was a major box-office hit, with 28, 900, 000 admissions in the Soviet Union alone. The film was selected as the Soviet entry for the Best Foreign Language Film at the 58th Academy Awards, but was not accepted as a nominee. [7] Title [ edit] The original Belarusian title of the film derives from Chapter 6 of The Apocalypse of John, where in the first, third, fifth, and seventh verse is written "і і і і" 8] English: Come and see" Greek: Ἐρχου καὶ ἴδε, Erchou kai ide) 9] as an invitation to look upon the destruction caused by the Four Horsemen of the Apocalypse. [10] 11] Chapter 6, verses 7–8 have been cited as being particularly relevant to the film: And when he had opened the fourth seal, I heard the voice of the fourth beast say, Come and see! And I looked, and behold a pale horse: and his name that sat on him was Death, and Hell followed with him. And power was given unto them over the fourth part of the earth, to kill with sword, and with hunger, and with death, and with the beasts of the earth. Plot [ edit] In 1943, two Byelorussian boys dig in a sand-filled trench looking for abandoned rifles in order to join the Soviet partisan forces. Their village elder warns them not to dig up the weapons as it will arouse the suspicions of the Germans. One of the boys, Flyora, finds an SVT-40 rifle, though the both of them are seen by an Fw 189 flying overhead. The next day, partisans arrive at Flyora's house to conscript him. Flyora becomes a low-rank militiaman and is ordered to perform menial tasks. When the partisans are ready to move on, an old partisan says that he wants to stay behind because his boots are falling apart. The partisan commander, Kosach, orders the old man to swap boots with Flyora and for Flyora to remain behind at the camp. Bitterly disappointed, Flyora walks into the forest weeping and meets Glasha, a young girl working as a nurse in the camp, and the two bond before the camp is suddenly attacked by German paratroopers and dive bombers. Flyora is partially deafened from explosions before the two hide in the forest to avoid the German soldiers. Flyora and Glasha travel to his village, only to find his home deserted and covered in flies. Denying that his family is dead, Flyora believes that they are hiding on a nearby island across a bog. As they run from the village in the direction of the bogland, Glasha glances across her shoulder, seeing a pile of executed villagers' bodies stacked behind a house, but does not alert Flyora. The two become hysterical after wading through the bog, where Glasha then screams at Flyora that his family are actually dead in the village. They are soon met by Roubej, a partisan fighter, who takes them to a large group of villagers who have fled the Germans. Flyora sees the village elder, badly burnt by the Germans, who tells him that he witnessed his family's execution and that he should not have dug up the rifles. Flyora accepts that his family is dead and blames himself for the tragedy. Roubej takes Flyora and two other men to find food at a nearby warehouse, only to find it being guarded by German troops. During their retreat, the group unknowingly wanders through a minefield resulting in the deaths of the two companions. That evening Roubej and Flyora sneak up to an occupied village and manage to steal a cow from a collaborating farmer. However, as they escape across an open field, Roubej and the cow are shot and killed by a German machine gun. The next morning, Flyora attempts to steal a horse and cart but the owner catches him and instead of doing him harm, he helps hide Flyora's identity when SS troops approach. Flyora is taken to the village of Perekhody, where they hurriedly discuss a fake identity for him, while the SS unit (based on the Dirlewanger Brigade) accompanied by Ukrainian collaborators surround and occupy the village. Flyora tries to warn the townsfolk they are being herded to their deaths, but is forced to join them inside a church. Flyora and a young woman bearing a strong resemblance to Glasha manage to escape; the young woman is dragged by her hair across the ground and into a truck to be gang raped, while Flyora is forced to watch as grenades are thrown into the church before it is set ablaze and shot. A German officer points a gun to Flyora's head to pose for a picture before leaving him to slump to the ground as the soldiers leave. Flyora later wanders out of the scorched village in the direction of the Germans, where he discovers they had been ambushed by the partisans. After recovering his jacket and rifle, Flyora comes across the young woman who had also escaped the church in a fugue state and covered in blood after having been gang-raped and brutalized. Flyora returns to the village and finds that his fellow partisans have captured eleven of the Germans and their collaborators, including the commander, an SS-Sturmbannführer. While some of the captured men including the commander plead for their lives and deflect blame, a young fanatical officer bluntly tells the captors that their people have no right to exist and they will carry out their mission. Kosach then forces most of the collaborators to douse the Germans with a can of petrol but the disgusted crowd shoots them all before they can be set on fire. As the partisans leave, Flyora notices a framed portrait of Adolf Hitler in a puddle and proceeds to shoot it numerous times. As he does so, a montage of clips from Hitler's life play in reverse, but when Hitler is shown as a baby on his mother 's lap, Flyora stops shooting and cries. “ We are obliged to exterminate the population—this is part of our mission to protect the German population. I have the right to destroy millions of people of a lower race who breed like worms. ” — Adolf Hitler, 1941 [12] In the final scene, a partisan officer calls out to a low-ranking recruit. Flyora turns, but an obedient youth nearby rushes past him, and Flyora realizes he is now a full partisan. He then catches up and blends in with his comrades, marching through the woods as snow blankets the ground. As they disappear into the birch forest, a title informs: 628 Belorussian villages were destroyed, along with all their inhabitants. 13] Cast [ edit] Aleksey Kravchenko as Flyora Olga Mironova as Glasha/Glafira Liubomiras Laucevičius as Kosach (voiced by Valeriy Kravchenko) Vladas Bagdonas as Roubej Jüri Lumiste as young German officer Evgeniy Tilicheev as Ukrainian collaborator and translator Viktor Lorents as the German commander Production and release [ edit] Klimov co-wrote the screenplay with Ales Adamovich, who fought with the Belarusian partisans as a teenager. According to the director's recollections, work on the film began in 1977: The 40th anniversary of the Great Victory was approaching. [3] 14] 15] The management had to be given something topical. I had been reading and rereading the book I Am from the Fiery Village, which consisted of the first-hand accounts of people who miraculously survived the horrors of the fascist genocide in Belorussia. Many of them were still alive then, and Belorussians managed to record some of their memories onto film. I will never forget the face and eyes of one peasant, and his quiet recollection about how his whole village had been herded into a church, and how just before they were about to be burned, an officer gave them the offer: Whoever has no children can leave. And he couldn't take it, he left, and left behind his wife and little kids. or about how another village was burned: the adults were all herded into a barn, but the children were left behind. And later, the drunk men surrounded them with sheepdogs and let the dogs tear the children to pieces. And then I thought: the world doesn't know about Khatyn! They know about Katyn, about the massacre of the Polish officers there. But they don't know about Belorussia. Even though more than 600 villages were burned there! And I decided to make a film about this tragedy. I perfectly understood that the film would end up a harsh one. I decided that the central role of the village lad Flyora would not be played by a professional actor, who upon immersion into a difficult role could have protected himself psychologically with his accumulated acting experience, technique and skill. I wanted to find a simple boy fourteen years of age. We had to prepare him for the most difficult experiences, then capture them on film. And at the same time, we had to protect him from the stresses so that he wasn't left in the loony bin after filming was over, but was returned to his mother alive and healthy. Fortunately, with Aleksey Kravchenko, who played Flyora and who later became a good actor, everything went smoothly. I understood that this would be a very brutal film and that it was unlikely that people would be able to watch it. I told this to my screenplay coauthor, the writer Ales Adamovich. But he replied: Let them not watch it, then. This is something we must leave after us. As evidence of war, and as a plea for peace. " — Elem Klimov Come and See was shot only on Belarusian soil. The events with the people, the peasants, actually happened as shown in the film. [It] doesn't have any professional actors. Even the language spoken in the film is Belarusian. What was important was that all the events depicted in the film really did happen in Belarus. [17] For eight years, 14] filming could not begin because the State Committee for Cinematography (Goskino) would not accept the screenplay, considering it too realistic, calling it propaganda for the "aesthetics of dirtiness" and "naturalism. 16] Eventually in 1984, Klimov was able to start filming without having compromised to any censorship at all. The only change became the name of the film itself, which was changed to Come and See from the original title, Kill Hitler [18] Elem Klimov also says this in the 2006 UK DVD release. 19] The film was shot in chronological order over a period of nine months. [18] Aleksey Kravchenko said that he underwent "the most debilitating fatigue and hunger. I kept a most severe diet, and after the filming was over I returned to school not only thin, but grey-haired. 20] 18] To prepare the 13-year-old Kravchenko for the role, Klimov called a hypnotist. I realized I had to inject him with content which he did not possess, Mr. Klimov said. This is an age when a boy does not know what true hatred is, what true love is. In the end, Mr. Kravchenko was able to concentrate so intensely that it seemed as if he had hypnotized himself for the role. 21] 18] To create the maximum sense of immediacy, realism, hyperrealism, and surrealism operate in equal measure. [22] Klimov and his cameraman Rodionov employed naturalistic colours, widescreen and lots of Steadicam shots; the film is full of extreme close-ups of faces, does not flinch from the unpleasant details of burnt flesh and bloodied corpses, and the guns were often loaded with live ammunition as opposed to blanks. [3] 18] 23] 24] Aleksey Kravchenko mentioned in interviews that bullets sometimes passed just 4 inches (10 centimeters) above his head [18] such as in the cow scene. 3] At the same time "the mise-en-scène is fragmentary and disjointed: there are discontinuities between shots as characters appear in close up and then disappear off camera. Klimov employs a range of techniques that draws attention to the camera. The extreme close-ups of actors staring into camera is a recurring motif. Elsewhere. the moment of revelation is marked by a disorienting zoom-in/dolly-out shot. 3] The film was released on 17 October 1985, 6] drawing 28. 9 million viewers [18] 25] and ranking sixth at the box office of 1986. [25] In 2017, the film received an official restoration which won the Venice classics award for Best restored film, and was also shown in several European independent cinemas again. [26] 27] 28] In the United States, Kino Lorber released the film on DVD in 2001. It is currently out-of-print. As of September 2019, the film became available on the streaming service for the Criterion Collection, the Criterion Channel. On December 18, 2019, Janus Films released a trailer for an upcoming 2k-restoration thats expected to premiere in February of 2020 with a theatrical run and then, possibly, a restored home media release through Criterion. [29] 30] 31] Music [ edit] The original soundtrack is rhythmically amorphous music composed by Oleg Yanchenko. At a few key points in the film classical music from mainly German or Austrian composers are used, such as Johann Strauss Jr. 's Blue Danube, sometimes mixed in with Yanchenko's music. The Soviet marching song The Sacred War, Russian folk song Korobeiniki and German folk song Im Wald im grünen Walde are played in the movie once. The German military march "Old Comrades " is played as the German army begins its attack on the village. During the scene where Glasha dances, the background music is taken from Grigori Aleksandrov 's 1936 film Circus. At the end, during the montage, music by Richard Wagner is used, most notably the Tannhäuser Overture and the Ride from Die Walküre. At the conclusion of the film the Lacrimosa from Mozart 's Requiem is played. Themes [ edit] It has often been noted how the film mixes a ruthless "hyper-realistic" take on the Holocaust during Operation Barbarossa, while at the same time hinting an underlying surrealist atmosphere without being "unreal. 32] 33] 34] 35] 36] 37] The image of Hitler shown in the film as a baby sitting on the maternal knees has no historical foundation. It is a photomontage devised by Klimov between this picture of infant Hitler and that of his mother A Focke-Wulf Fw 189, the aircraft that Klimov makes fly high above the protagonists' head The film mixes themes about philosophical existentialism, spiritual degradation, the human mind, etc, under Nazi carnage, extreme trauma, and also the politics behind the Nazi-German warfare, —with often poetic, classical apocalyptic themes, influences and "twilight state-like" or nightmarish, psychological dialogues. [38] 39] 40] 41] 42] 43] The film has been praised for how it shows one of human history's worst crimes with an honest and genuine take, rather than the more common, sentimental "Hollywood take" on the subject. The film's settings is often in vast, deep Belorussian forests and swamps. The nature (with both the hostility and fear and the peacefulness and beauty that can be found in it) plays a big role in the movie's symbolism and atmosphere. Politically it deals with the people's suffering under the Nazi invasion, and the essence and depth of the people's (both collective and individual) trauma, and also honoring the defense of the Slavic nations by partisans. As an anti-fascist and anti-war movie it brings up the ideological driving-forces behind the war on (and Holocaust in) Eastern Europe; i. e the Nazis' racial ideological hatred for so-called " Judeo-Bolshevism " as one of the main motives behind their genocides against Jews and Slavs. Come and See has been praised for the way it shows the Nazis on the Eastern Front as genocidal as they historically documented were, and for how it brings out the genuine sense of terror that people in reality felt with the mere presence of those forces. It shows their systematic calculated killings and their discretionary sadism. Klimov is said to make the viewer understand, and sense, what Fascism brought, in a metaphor of a "black plague" in similar style to the partisan song "The Sacred War" and it's lyrics' description of it (i. e "the fascist hordes' black wings" and similar writings) which is also featured in the film. The movie is generally viewed as one of the most important anti-war movies ever made, one of the great movies in history and one with the most historically accurate depictions of the crimes on the Eastern Front, and in general one of the most important Holocaust movies. [44] 45] 46] 47] 48] 49] Reception [ edit] Initial reception was positive. Walter Goodman wrote for The New York Times that "The history is harrowing and the presentation is graphic. Powerful material, powerfully rendered. and dismissed the ending as "a dose of instant inspirationalism. but conceded to Klimov's "unquestionable talent. 50] Rita Kempley of the Washington Post wrote that "directing with an angry eloquence, Klimov] taps into that hallucinatory nether world of blood and mud and escalating madness that Francis Ford Coppola found in Apocalypse Now. And though he draws a surprisingly vivid performance from his inexperienced teen lead, Klimov's prowess is his visual poetry, muscular and animistic, like compatriot Andrei Konchalovsky 's in his epic Siberiade. 51] Mark Le Fanu wrote in Sight & Sound 03/01/1987 that Come and See is a "powerful war film. The director has elicited an excellent performance from his central actor Kravchenko. 52] 53] 54] 55] 56] 57] According to Klimov, the film was so shocking for audiences, however, that ambulances were sometimes called in to take away particularly impressionable viewers, both in the Soviet Union and abroad. [14] 19] Also according to Klimov, during one of the after-the-film discussions, an elderly German stood up and said: I was a soldier of the Wehrmacht; moreover, an officer of the Wehrmacht. I traveled through all of Poland and Belarus, finally reaching Ukraine. I will testify: everything that is told in this film is the truth. And the most frightening and shameful thing for me is that this film will be seen by my children and grandchildren. 58] The film has since been widely acclaimed in the 21st century. In 2001, Daneet Steffens of Entertainment Weekly wrote that "Klimov alternates the horrors of war with occasional fairy tale-like images; together they imbue the film with an unapologetically disturbing quality that persists long after the credits roll. 59] In 2001, J. Hoberman of The Village Voice reviewed Come and See, writing the following: Directed for baroque intensity, Come and See is a robust art film with aspirations to the visionary – not so much graphic as leisurely literal-minded in its representation of mass murder. (The movie has been compared both to Schindler's List and Saving Private Ryan, and it would not be surprising to learn that Steven Spielberg had screened it before making either of these. The film's central atrocity is a barbaric circus of blaring music and barking dogs in which a squadron of drunken German soldiers round up and parade the peasants to their fiery doom. The bit of actual death-camp corpse footage that Klimov uses is doubly disturbing in that it retrospectively diminishes the care with which he orchestrates the town's destruction. For the most part, he prefers to show the Gorgon as reflected in Perseus 's shield. There are few images more indelible than the sight of young Alexei Kravchenko's fear-petrified expression. 60] In the same publication in 2009, Elliott Stein described Come and See as "a startling mixture of lyrical poeticism and expressionist nightmare. 61] In 2002, Scott Tobias of The A. V. Club wrote that Klimov's "impressions are unforgettable: the screaming cacophony of a bombing run broken up by the faint sound of a Mozart fugue, a dark, arid field suddenly lit up by eerily beautiful orange flares, German troops appearing like ghosts out of the heavy morning fog. A product of the glasnost era, Come and See is far from a patriotic memorial of Russia's hard-won victory. Instead, it's a chilling reminder of that victory's terrible costs. 62] British magazine The Word wrote that " Come and See is widely regarded as the finest war film ever made, though possibly not by Great Escape fans. 63] Tim Lott wrote in 2009 that the film "makes Apocalypse Now look lightweight. 64] In 2006, Geoffrey Macnab of Sight & Sound opined, Klimov's astonishing war movie combines intense lyricism with the kind of violent bloodletting that would make even Sam Peckinpah pause. 3. failed verification] On 16 June 2010, Roger Ebert posted a review of Come and See as part of his "Great Movies" series, describing it as "one of the most devastating films ever about anything, and in it, the survivors must envy the dead. The film depicts brutality and is occasionally very realistic, but there's an overlay of muted nightmarish exaggeration. I must not describe the famous sequence at the end. It must unfold as a surprise for you. It pretends to roll back history. You will see how. It is unutterably depressing, because history can never undo itself, and is with us forever. 65] Come and See appears on many lists of films considered the best. In 2008, Come and See was placed at number 60 on Empire magazine's "The 500 Greatest Movies of All Time" in 2008. [66] It also made Channel 4's list of 50 Films to See Before You Die [67] and was ranked number 24 in Empire magazine's "The 100 Best Films Of World Cinema" in 2010. [68] Phil de Semlyen of Empire has described the work as "Elim Klimovs seriously influential, deeply unsettling Belarusian opus. No film – not Apocalypse Now, not Full Metal Jacket – spells out the dehumanising impact of conflict more vividly, or ferociously. An impressionist masterpiece and possibly the worst date movie ever. 69] It ranked 154 among critics, and 30 among directors, in the 2012 Sight & Sound polls of the greatest films ever made. [70] Rotten Tomatoes reported a 96% approval critic response based on 23 reviews. [6] Klimov did not make any more films after Come and See, 71] leading some critics to speculate as to why. In 2001, Klimov said "I lost interest in making films. Everything that was possible I felt I had already done. 21] Accolades [ edit] Awards Award Date of ceremony Category Recipients and nominees Result 14th Moscow International Film Festival [72] 12 July 1985 Golden Prize Elem Klimov [3] 15] 6] 25] Won FIPRESCI prize See also [ edit] List of submissions to the 58th Academy Awards for Best Foreign Language Film List of Soviet submissions for the Academy Award for Best Foreign Language Film References [ edit. Come and See (15. British Board of Film Classification. 16 December 1986. Retrieved 29 May 2013... IDI I SMOTRI (1985. British Film Institute. Retrieved 5 December 2018. ^ a b c d e f g Chapman, James (2008. Chapter 2 war as tragedy (pp. 103ff. War and Film. Islington: Reaktion Books. ISBN 978-1-86189347-5. ^ , [ Adamovich, Ales] , [Visor, Vanya] , [Kalesnik, Uladimir Andreevich] 1977. . I Am from the Fiery Village. in Belarusian. Minsk: - [Art lit-ra. ^ Rein, Leonid (2011. The Kings and the Pawns. Collaboration in Byelorussia during World War II. New York City: Berghahn Books. ISBN 978-0-85745043-2. The stories of survivors from the burned villages were collected in the 1970s by three Byelorussian writers, Ales' Adamovich, Janka Bryl' and Vladimir Kolesnik and published as a book in Russian and Byelorussian under the title Ya iz ognennoj Derevni. I am from the fiery village. See Adamovich et al., Ya iz ognennoj Derevni. Minsk, 1977. p. 321. ^ a b c d " Come and See (Idi i smotri) 1985. Rotten Tomatoes. Fandango. Retrieved 16 May 2019. ^ Margaret Herrick Library, Academy of Motion Picture Arts and Sciences. ^ і і , , і ў і 6. Read Bible online" The Bible, Revelation, Chapter 6] in Belarusian. Retrieved 30 April 2019. ^ Garland, Anthony Charles (2007. A Testimony of Jesus Christ - Volume 1. A Commentary on the Book of Revelation. 2007. p. 325. ISBN 978-0-978-88641-7. ^ Wise, Damon (28 October 2013. Top 10 war movies. 5. Come and See. The Guardian. London. Retrieved 4 July 2016. ^ The same biblical quote is at the center of the film Horsemen (2009... . , " Khatyn - Genocide policy, The genocide of the Belarusian people. in Belarusian. Khatyn memorial. 2005. Retrieved 6 June 2019. ^ Youngblood, Denise Jeanne (2007. Russian War Films. On the Cinema Front, 1914-2005. Lawrence, Kansas: University Press of Kansas. p. 197. ISBN 978-0-70061489-9. ^ a b c Dunne, Nathan (18 July 2016. Atrocity exhibition: is Come and See Russia's greatest ever war film. The Calvert Journal. Retrieved 20 July 2019. ^ a b Noah, Will (10 January 2018. Elem Klimov's Boundary-Pushing Satires. The Criterion Collection. Retrieved 11 November 2018. ^ a b [Marina Murzina] 20 October 2010. : [ Come and See: shooting turned for Elem Klimov in the fight against censorship. [Arguments and Facts] in Russian) 42. Retrieved 30 August 2016. ^ Holloway, Ron (1986. Interview with Elem Klimov. Kinema. Retrieved 11 November 2018. ^ a b c d e f g Niemi, Robert (2018. Come and See [Russian: Idi i smotri] 1985) pp. 61-63. 100 Great War Movies. The Real History Behind the Films. Santa Barbara, California: ABC-CLIO. ISBN 978-1-440-83386-1. ^ a b "Elem Klimov about Come and see. interview with English subtitles. Retrieved 30 May 2013. ^ [Vera Maevskaia] 20 July 2004. : " " , " Aleksey Kravchenko: From the making of Klimov's film Come and See I returned not only terribly skinny, but also grizzled. [Boulevard] in Russian) 29. Retrieved 31 March 2018. ^ a b Ramsey, Nancy (28 January 2001. FILM; They Prized Social, Not Socialist, Reality. The New York Times. Retrieved 5 May 2019. ^ Menashe, Louis (2014. 2010. Moscow Believes in Tears. Russians and Their Movies. Washington, D. C. New Academia Publishing, LLC. pp. 95 - 96. ISBN 978-0-984-58322-5. ^ Stilwell, Blake (26 April 2017. This Soviet WWII movie used real bullets instead of blanks. Retrieved 31 March 2018. ^ Gault, Matthew (28 May 2016. Come and See' Turns the Eastern Front Into a Hallucinatory Hellscape. Retrieved 31 March 2018. ^ a b c Youngblood, Denise Jeanne (2007. ISBN 978-0-700-61489-9. ^ Venice Classics Award for Best Restored Film - Premio Venezia Classici per il Miglior Film Restaurato: IDI I SMOTRI (1985) by Elem Klimov ^ The Legacy of the Siege of Leningrad, 1941–1995. Kirschenbaum. ^ 100 Great War Movies: The Real History Behind the Films. Robert Niemi. ABC-CLIO, 2018. ^ Cinepaternity: Fathers and Sons in Soviet and Post-Soviet Film. Helena Goscilo, Yana Hashamova. Indiana University Press, 2010. ^ Goodman, Walter (6 February 1987. Film: Come and See' from Soviet. Retrieved 30 May 2013. ^ Kempley, Rita (25 September 1987. Come and See review. The Washington Post. Retrieved 7 January 2017. ^ 6 Non-Traditional Horror Films to watch this Halloween, by Jordon Jefferies October 29, 2015, The State Of The Arts ^ Steffens, Daneet (2 November 2001. Come and See. Entertainment Weekly. Retrieved 20 January 2017. ^ Hoberman, J. (30 January 2001. High Lonesome. The Village Voice. New York City. Retrieved 25 February 2014. ^ Stein, Elliott (18 August 2009. Retrieved 25 February 2014. ^ Tobias, Scott (19 April 2002. Come And See. The A. Club. Chicago: Onion, Inc. Retrieved 25 February 2014. ^ The Word (41. July 2006. p. 122. ^ Lott, Tim (24 July 2009. The worst best films ever made. Retrieved 25 February 2014. ^ Ebert, Roger (16 June 2010. Come and See. Retrieved 25 February 2014. Yet in the biblical context chosen by Klimov for his movie, always in Chapter 6 of the Apocalypse, verse 14 states: the sky receded as a scroll when it is rolled up. 6:14. Isaiah 34:4. ^ The 500 Greatest Movies of All Time. Empire. November 2008. Retrieved 1 November 2013. ^ Film4's 50 Films To See Before You Die. Channel 4. 22 July 2006. ^ The 100 Best Films Of World Cinema. 2010. ^ Become A War Films Expert In Ten Easy Movies. ^ Votes for IDI I SMOTRI (1985. Sight & Sound. Retrieved 20 January 2017. ^ Bergan, Ronald (4 November 2003. Obituary: Elem Klimov. Retrieved 8 June 2009. ^ 14th Moscow International Film Festival (1985. MIFF. Archived from the original on 16 March 2013. Retrieved 9 February 2013. Further reading [ edit] Michaels, Lloyd (2008. Come and See (1985) Klimov's Intimate Epic. Quarterly Review of Film and Video. 25 (3) 212–218. doi: 10. 1080/10509200601091458. External links [ edit.
Made in 1987 and you still have to rent or buy it. Thanks, Youtube
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